GAS: A Real Photographic Illness
Text and photos by Heather Cline
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On a recent photography workshop, a fellow photographer was telling me about a speech he had given on GAS. It had me laughing out loud and I immediately confessed to him that I would be stealing the idea for a photography blog. So - credit for this blog goes to Ken Cawley!
Gear Acquisition Syndrome (GAS) is a playful yet very real term in the photography world that describes the irresistible urge to keep buying new equipment—whether it’s cameras, lenses, tripods, or accessories—even when your current gear is perfectly capable.
It happens to the best of us—one minute you're browsing gear reviews, and the next you've convinced yourself that a new lens or camera is all you need to take your photography to the next level. That’s the slippery slope of Gear Acquisition Syndrome. You start adding more gadgets to your collection… a few extra lenses, a new tripod, maybe some lighting gear—until you realize you’ve got enough equipment to outfit a small studio. The truth is, chasing gear doesn’t guarantee better photos. If you don’t catch it early, GAS can leave you feeling frustrated, creatively stuck, and looking at an empty wallet. The real magic lies in honing your craft—not just expanding your kit.
What Causes GAS?
Why It’s a Problem
How to Manage It
Truly, the best way to overcome GAS is by focusing more on getting out, shooting, and expanding your skills—rather than obsessing over the equipment in your bag. Mastering any skill doesn’t follow a one-size-fits-all timeline. It depends on how complex the skill is and how you learn best. But the "10,000-hour rule"—thanks to Malcolm Gladwell—has become a familiar reference point. It’s the idea that consistent, focused practice over time is what really leads to mastery. No matter how shiny or expensive the gear is, adding a new camera or lens won’t magically elevate your work. Growth comes from time, practice, and learning how to truly see through the lens you’ve already got.